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Along with her visceral mixture of poetry, tune and motion, efficiency artist and choreographer Dorothée Munyaneza finds highly effective expression for occasionally unspeakable horrors. Born in Kigali, she was simply 12 in 1994 through the genocide of the Tutsi – a narrative she tells in considered one of her first exhibits “Samedi, Détente” or “Saturday, Leisure” – named for a radio program she listened to as a baby. Munyaneza’s more moderen work “Mailles” – or “Mesh” – at present enjoying on the Chaillot Nationwide Theatre in Paris, is a collaboration with 5 different Black feminine artists. She describes it as a commemoration of their pleasure, love, and customary identities as “youngsters of the dispersed” – whether or not by colonial violence, the slave commerce, or the alternatives of earlier generations looking for new alternatives. She joined us on Encore! to inform us extra.
